Wednesday, 27 November 2013

Male representation

In Tough Guise: Violence, Media and the Crisis in Masculinity, Jackson Katz and Jeremy Earp argue that the media provide an important perspective on social attitudes – and that while the media are not the cause of violent behaviour in men and boys, they do portray male violence as a normal expression of masculinity. [1]

In 1999, Children Now, a California-based organization that examines the impact of media on children and youth, released a report entitled Boys to Men: Media Messages About Masculinity. The report argues that the media’s portrayal of men tends to reinforce men’s social dominance.

The report observes that:

  • the majority of male characters in media are heterosexual
  • male characters are more often associated with the public sphere of work, rather than the private sphere of the home, and issues and problems related to work are more significant than personal issues
  • non-white male characters are more likely to experience personal problems and are more likely to use physical aggression or violence to solve those problems. [2]

A more recent study found similar patterns in how male characters were portrayed in children's television around the world: boys are portrayed as tough, powerful and either as a loner or leader, while girls were most often shown as depending on boys to lead them and being most interested in romance. [3]

These portrayals are of particular concern when it comes to young boys, who may be more influenced by media images than girls. In the 2008 article Media and the Make-Believe Worlds of Boys and Girls, Maya Götz and Dafna Lemish note that girls generally pick and choose what media content to integrate into their imaginary worlds – an approach the authors summarize as “leave something out, take something in and dissociate from it.” Boys, on the other hand, tend to incorporate media content into their own imaginations wholesale, “taking it in, assimilating it, and then taking the story further.”  According to Götz and Lemish, “boys… dream themselves into the position of their heroes and experience a story similar to the one in the original medium.” [4]

The portrayal and acceptance of men by the media as socially powerful and physically violent serve to reinforce assumptions about how men and boys should act in society, how they should treat each other, as well as how they should treat women and children.

Common stereotypes.

The Joker is a very popular character with boys, perhaps because laughter is part of their own "mask of masculinity." A potential negative consequence of this stereotype is the assumption that boys and men should not be serious or emotional. However, researchers have also argued that humorous roles can be used to expand definitions of masculinity.

The Jock is always willing to "compromise his own long-term health; he must fight other men when necessary; he must avoid being soft; and he must be aggressive." By demonstrating his power and strength, the jock wins the approval of other men and the adoration of women.

The Strong Silent Type focuses on "being in charge, acting decisively, containing emotion, and succeeding with women." This stereotype reinforces the assumption that men and boys should always be in control, and that talking about one’s feelings is a sign of weakness.

The Big Shot is defined by his professional status. He is the "epitome of success, embodying the characteristics and acquiring the possessions that society deems valuable." This stereotype suggests that a real man must be economically powerful and socially successful.

The Action Hero is "strong, but not necessarily silent. He is often angry. Above all, he is aggressive in the extreme and, increasingly over the past several decades, he engages in violent behavior."

Another common stereotype...

The Buffoon commonly appears as a bungling father figure in TV ads and sitcoms. Usually well-intentioned and light-hearted, these characters range from slightly inept to completely hopeless when it comes to parenting their children or dealing with domestic (or workplace) issues.



Friday, 1 November 2013

representation of diabled in TV drama


Representation of disabled in TV drama analysis.

The clip: coming down the mountain (written by Mark Haddon Author of The curious incident of the dog in the night time) features one of the key characters (Ben) having a down syndrome and this character has been stereotyped heavily.

The non-diagetic narration from the leading character David, is used to reinforce the stereotype that all disabled people are a burden to their relatives. Since it’s non-diagetic we see this as David’s thoughts and feelings towards his brother.  This overview of his opinion reveals to us his inner most thoughts revealing that he truly resents the fact that he has to look after his brother. Lines like “last summer I decided to kill my brother” and a conversation that subtly links his brother to being a pig for slaughter, indicates his hatred.

The idea that they need constant care and attention is viewed in a montage that starts with a view of the two boys at a bus stop with Ben playing with childish toys and doing what seems to irritate his brother. We then quickly cut to a clip of Ben riding a bike with stabilisers and covered in padding, relating to the audience as we all know how to ride a bike and most people his age are past the point of stabilisers.  This is also from the first person perspective of David who is also looking through a toy rifle, further encouraging the idea that he wants to kill his brother. This representation of a disabled person being a burden on their family is quite common in media as often they do appear to burden their families, not purposefully of course. 

A the first clip we see Ben there is a focus pull from a single piece of food on his spoon, to his face which clearly shows his disability as Down syndrome is visible through the face of the disabled person. The fact that there is a pull between a single speck of food and his face brings us to the idea that he is nothing more than a vegetable in the eyes of people like his brother, who also refers to him as a potato during the commentary. This itself is a very common insult that is often used when people refer to those with down syndrome.

The final scene depicts him as vunerable with shots angled from above and close ups on him wiping sweat from his brow. It is at this point we see he is truly scared, and from quick action like shots of the  people around him, with a man at the back being given a quick shot from between two fighting teenagers, his face clearly shows that this does not concern him and so when we see Ben's frightened face we instantly pity his character.

Overall, it is clear to see that disabled people are shown to cause grief to those they burden as when they are not with them they clearly fear the frightening world around them.This is shown through firstly showing how he can irritate his brother without intention, and then showing him in a situation we all take normally, but to him this is a true nightmare, thus securing the idea of his vunerable state